Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of ...

High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...

If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...

Mario Patrocínio’s Maria Vitória is the writer-director’s first narrative feature, but it brings the chops of his documentary ...

Benita may not have left a note when she took her life, but her archive was a kind of trail — what I call a “filmmaker’s ...

In 2021, the Tokyo International Film Festival decided to leap out of mediocrity. It was, acquaintances told me, previously ...

Documentary filmmaker Lynn Sachs on her latest, “Every Contact Leaves a Trace,” in which she remembers seven life-altering encounters.

Andres Veiel’s “Riefenstahl” is an arresting and deeply disturbing all-archival portrait of the titular Third Reich ...

The nonprofit Sundance Institute today announced in a press release details for the 2026 Sundance Film Festival’s annual ...

Writer-director Avalon Fast discusses her sophomore feature CAMP, which centers on a group of “gorgeous misfits” working at a Canadian summer camp.

Alex Winter and Tom Stern’s 1993 cult classic Freaked is less an example of “high” and “low” art commingling than of pop- and-sub-cultures colliding. At the precipice of marquee fame after headlining ...