Part 2 of this series discussed applications for digital video on the Internet, professional editing systems and processing software. Part 3 covers popular video formats and their fields of ...

Digital Video is large. Really large. A professional quality HD studio video camera produces just over a gigabit every second (1 Gb/s) when making the kind of video we currently show on BBC HD (which ...

Digital Video is large. Really large. A professional quality HD studio video camera produces just over a gigabit every second (1 Gb/s) when making the kind of video we currently show on BBC HD (which ...

Video transcoding is the problem of converting from one compressed video format to another by decoding to raw video frames and then re-encoding in the new format. In many applications efficient ...

An international standards team is close to approving a new compression format for digital video, promising improvements as well as a few uncertainties for emerging multimedia technology. Known as ...

The IP surveillance market has boomed over the past decade with dozens, if not hundreds, of new players emerging and traditional CCTV manufacturers expanding into networked technologies. With the ...

Increasing adoption of higher resolution cameras throughout the video surveillance marketplace in recent years has subsequently heightened demand for improved bandwidth-saving technologies to help end ...

Today, we’re going to talk about lossless compression. So last episode we talked about some basic file formats, but what we didn’t talk about is compression. Often files are way too large to be easily ...